[ad_1] You can shoot full-frame 4K video at up to 30 fps, or 1080p at up to 120 fps with all video limited to 4:2:0 8-bit and 100Mbps bit rates. You also get both S-Log2 and S-Log3 recording to maximize dynamic range. That’s not bad, but for $200 more, Panasonic’s full-frame S5 shoots 4K at […]
Category: full-frame
Nikon’s full-frame Z5 has in-body stabilization for $1,399
[ad_1] Despite all that tech, it offers pretty mediocre shooting speeds of 4.5 fps with full autofocus and AE. That’s just a touch less than Canon’s 5 fps EOS RP, but far less what you’ll find on comparably-priced APS-C cameras like Sony’s 11 fps A6600. Nikon As mentioned, video isn’t a strong point with the […]
Canon unveils its flagship 45-megapixel EOS R5 mirrorless camera
[ad_1] With smaller pixels, it probably won’t fare as well in low-light as the EOS R6, also unveiled today. The ISO range runs from 100-51,200 and is expandable to ISO 102,400. As for autofocus, the new Dual Pixel CMOS AF II has 100 percent coverage with 1,053 AF areas. It combines a high-speed sensor readout […]
Canon’s 8K-capable EOS R5 will also shoot 4K video at 120 FPS
[ad_1] Not a lot of folks are out shooting photos or video right now, so Canon is trying to build excitement for its upcoming 8K-capable R5 mirrorless camera by slowly dribbling out specs. It just revealed some more key details about the camera’s video capa… [ad_2] Source link
Panasonic’s S1H ‘Netflix’ camera will soon support Apple ProRes RAW
[ad_1] As it promised last September, Panasonic is ready to bring Apple ProRes RAW support to its cinema-centric S1H full-frame mirrorless camera. The firmware version 2.0, coming next month, will introduce support for 5.9K (5,888 x 3,312) 12-bit ProRes RAW video output over HDMI. The caveat is that there’s just one recorder that will support […]
Nikon Z6 and Z7 owners can now pay $200 to add RAW video capture
[ad_1] Nikon announced the upgrade all the way back at CES 2019, so it’s taken nearly a year to deliver it. By recording RAW to the Atomos Ninja V, you’ll get a lot more flexibility for color grading than with any other option. “As RAW video is not subjected to in-camera processing, all information that […]
61 megapixels of pure camera power
[ad_1] Panasonic’s S1R got it first, but the A7R IV now has a 5.76 million dot OLED electronic viewfinder. The high resolution and reasonably fast 60 Hz refresh rate make it easy on the eyes, but the A7R IV will blackout during shooting, temporarily blocking your view, unlike the freshly announced A9 II. For the […]
The SIGMA fp is the ‘world’s smallest’ full-frame mirrorless camera
[ad_1] The 24.6-megapixel camera has a 35mm full-frame Bayer sensor, and it weighs just 370g (less than a pound), without the battery and memory card. That’s lighter than full-frame cameras like the Panasonic S1 (1,021 grams with the battery and card), Sony A7 (650 grams) and Canon EOS RP (485 grams). Sigma is calling the […]
Why Sony still dominates the full-frame camera market
[ad_1] Canon and Sony lack the incentive to add high-end video features to their mirrorless cameras, as that could cannibalize their professional video divisions. However, Nikon has no such constraint, so I was really hoping that it would try to outdo Sony with features like professional 10-bit 4K video recording. I also wanted to see […]
A full-frame camera that cuts too many corners
[ad_1] Thanks to the new processor, the EOS RP has a very decent eye- and face-tracking system (Canon calls it pupil detection) for a budget full-frame camera. It now works in continuous mode, rather than just single-point autofocus as before. Provided I stayed pretty close to my (human) subjects, I found it locked on to […]